Enjoy This Spanish Guitar Flamenco Rumba and Malagueña from Yannick Lebossé.
http://www.yannicklebosse.com/Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo.
Origins
Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung and played at a fast speed, with a rhythmic pattern in 6/8, to accompany dance. Some of these primitive fandangos from Málaga, called Verdiales are still performed nowadays at folkloric gatherings by large non-professional groups called "Pandas", which use a high number of guitars, "bandurrias" (a sort of mandoline), violins, and tambourines.
Some of the traditional malagueña styles (melodic schemes) more frequently performed are listed below. Many though, have been omitted as they are rarely performed or are just variations of other main styles.
1. Juan Breva. He recorded three of his malagueña styles personally in the early 20th century.
2. Enrique el Mellizo. It is often said that he derived his malagueña from the preface to the catholic mass. After his influence, the rhythmic pattern of the malagueña guitar accompaniment was lost and it became a "cante libre". Among the interpreters of this style who helped to establish it we may mention El Niño de la Isla, Aurelio Sellé, Manolo Caracol and Pericón de Cádiz. Each of them has added personal touches to the Malagueña, so it is difficult to know which one resembles the original model most.
3. El Canario. He created one style of Malagueña.
4. Antonio Chacón. He was the most prolific creator of malagueñas and the styles he created are probably the most frequent in recordings. The number of the malagueñas he created varies, though, as some have been attributed to him only by tradition. Some of these styles can often be seen as simple variations. Most of these styles were already recorded by him between 1909 and 1928.
5. La Trini. Her legacy was preserved by singers like Sebastián el Pena. Antonio Chacón created a personal variation of one of her styles.
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