The ideal woman body shape has constantly evolved throughout history.
In the 18th century, women would wear corsets to compress their waists and wire structures under their dresses to widen their hips. In the middle of the 19th century, curvy women were seen as beautiful and they didn't practice sports. In 1900, corsets got a bit more comfortable but a large bust was still appreciated. In the 1920's, women rejected corsets. They made their chests look flat and hid their waists behind boxy clothes to reach a boyish silhouette. After the war, their went back to looking feminine and loved the New Look brought by Christian Dior. Instead of a corset, they wore bras. In the 1960's, a more androgynous silhouette appeared and women started to wear pants. The 90's saw the rise of extremely thin models like Kate Moss, who changed the beauty ideal. In the 2010's, curves are back in trend but with a flat belly and a thigh gap. So celebrities like Kim Kardashian don't hesitate to use surgery and wear corsets in order to get the "ideal body".
New videos: Wednesday 5pm & Sunday 12pm (Paris/Berlin time).
Series on dressing for your specific body type:
https://www.youtube.com/playlist?list=PL9e2viG3AuRML-wHc5hDJN-d7YwrSYLuETake care!
Justine
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MUSIC
YouTube Audio Library
- Iron Bacon by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
https://creativecommons.org/licenses/by/4.0/)
Source:
http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200011Artist:
http://incompetech.com/- Prelude No. 20 by Chris Zabriskie is licensed under a Creative Commons Attribution licence (
https://creativecommons.org/licenses/by/4.0/)
Source:
http://chriszabriskie.com/preludes/Artist:
http://chriszabriskie.com/- Earnest by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
https://creativecommons.org/licenses/by/4.0/)
Source:
http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100248Artist:
http://incompetech.com/- Videos: archive.org (public domain material).
- Pictures: Metropolitan Museum’s Creative Common pool or Pixabay.
- Silhouette drawings are my own (done in Adobe Illustrator CC).
1720 noble lady:
“Tight Lacing or Hold Fast Behind” by Matthew Darly (British, ca. 1720–1778 (?)) , London via The Metropolitan Museum of Art is licensed under CC0 1.0
1720 bourgeoise:
“Dame met sluier en dichtgevouwen waaier, naar rechts, Sébastien Leclerc (I), 1715 - 1720” by Sébastien Leclerc (I) is licensed under CC0 1.0
1720 rich bourgeoise:
“Isabella” by Nymphenburg Porcelain Manufactory, Franz Anton Bustelli (Swiss, Locarno ca. 1720–1763 Munich), German, Neudeck-Nymphenburg via The Metropolitan Museum of Art is licensed under CC0 1.0
1720 other rich lady:
“Kitty Clive” by Bow Porcelain Factory (British, 1744–1776), After an engraving by Charles Mosley (British, ca. 1720–ca. 1756), After a drawing by Thomas Worlidge (British, Peterborough 1700–1766 Hammersmith), British, Bow via The Metropolitan Museum of Art is licensed under CC0 1.0
1720 young woman already with a corset:
“Portrait of a Lady” by Lawrence Kilburn (or Kilbrunn) (1720–1775) via The Metropolitan Museum of Art is licensed under CC0 1.0
1850 falling shoulders:
“Mrs. Warren Rogers (Julie Francoise Gabrielle d'Anterroches)” by Theodore Lund (1810–1895) via The Metropolitan Museum of Art is licensed under CC0 1.0
1850 woman reading:
“[Henriette-Caroline-Victoire Robert]” by Louis-Rémy Robert (French, 1810–1882) via The Metropolitan Museum of Art is licensed under CC0 1.0
1870 side gravure:
“L'Aquarelle-Mode, 1870, No. 453 : Paraissant chaque semaine, anonymous, c. 1870” by anonymous is licensed under CC0 1.0
1870 blue woman:
“Vrouw met parasol, anonymous, 1870 - 1880” by anonymous is licensed under CC0 1.0
1870 back:
“Lady Ruthven” by Hill and Adamson (British, active 1843–1848), David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland) via The Metropolitan Museum of Art is licensed under CC0 1.0
1900:
https://archive.org/details/ADC-10127bFamous women in NY
1900 corset:
“Waist cincher” by Attributed to Redfern (1847–1940), probably French via The Metropolitan Museum of Art is licensed under CC0 1.0
1920 pastel drawing:
“1920” by in pastel is licensed under CC BY 2.0
1920 dancer:
“1920s flapper” by pennyspitter is licensed under CC BY 2.0
1950 Dior dress:
“1950 Dior lbd” by pennyspitter is licensed under CC BY 2.0
1950 office interview:
https://archive.org/details/SF1731950 TV commercial:
https://archive.org/details/1950sTelevisionCommercialBlueMagicCheerad1 1970:
https://archive.org/details/0512_That_Junior_Miss_Spirit_03_01_00_05About the Site 🌐
This site provides links to random videos hosted at YouTube, with the emphasis on random. 🎥
Origins of the Idea 🌱
The original idea for this site stemmed from the need to benchmark the popularity of a video against the general population of YouTube videos. 🧠
Challenges Faced 🤔
Obtaining a large sample of videos was crucial for accurate ranking, but YouTube lacks a direct method to gather random video IDs.
Even searching for random strings on YouTube doesn't yield truly random results, complicating the process further. 🔍
Creating Truly Random Links 🛠️
The YouTube API offers additional functions enabling the discovery of more random videos. Through inventive techniques and a touch of space-time manipulation, we've achieved a process yielding nearly 100% random links to YouTube videos.
About YouTube 📺
YouTube, an American video-sharing website based in San Bruno, California, offers a diverse range of user-generated and corporate media content. 🌟
Content and Users 🎵
Users can upload, view, rate, share, and comment on videos, with content spanning video clips, music videos, live streams, and more.
While most content is uploaded by individuals, media corporations like CBS and the BBC also contribute. Unregistered users can watch videos, while registered users enjoy additional privileges such as uploading unlimited videos and adding comments.
Monetization and Impact 🤑
YouTube and creators earn revenue through Google AdSense, with most videos free to view. Premium channels and subscription services like YouTube Music and YouTube Premium offer ad-free streaming.
As of February 2017, over 400 hours of content were uploaded to YouTube every minute, with the site ranking as the second-most popular globally. By May 2019, this figure exceeded 500 hours per minute. 📈
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